My DC Ad Club Experience: Alex McGregor
Posted by DC Ad Club in Member Profiles on May 10, 2011
What are the benefits of DC Ad Club membership? Has your membership brought you new business? new friends? a new lease on life? Join us here each month as we share the unique DC Ad Club experiences of our members.
What’s YOUR DC Ad Club story? Contact us at info@dcadclub.com to share.
My DC Ad Club Experience: Alex McGregor
What experience got you involved in DC Ad Club?
It would have to be when I attended my first event. I had joined months before, but was a little nervous and thought I was just too busy to make it to events. But after that first one I was hooked.
What do you feel you have gotten out of your membership?
I got a job! I think that is one of the most important things I have gotten. At one of the Ad 2 DC Water Cooler events I met a woman by the name of Jen. We had a lot of fun chatting and shetold me about her company Grubb & Ellis. I checked out the company and found a Marketing position that was perfect for me. I was able to get an interview and actually landed the job because of her and the event. I couldn’t have asked for more. Especially in this bad economy, I feel like it’s all about who you know.
How do you give back to the club?
I am part of the membership committee, but before that I thought it was important to really network and get to know people. Someone told me at a recent event that it is about connecting people not just helping yourself. I have really strived to do that when I go to any event.
Why did you join DC Ad Club?
I joined DC Ad Club because I was looking for work and also wanted to start networking in the advertising world. I joined about a year before I graduated college because I thought it would be the best way to get my name out and meet new people. I was right! My LinkedIn and my network filled up. People were very welcoming and eager to get to know me.
Why do you stay in DC Ad Club?
It is a fun club and rewards are great. I feel that I am able to expand my experience with advertising and get to be around people in my field. I work at an in-house advertising department so the DC Ad Club allows me more exposure to other marketing people.
What would you say to new members?
Do everything! I would not have found a job unless I went out and talked to people but the same goes for everything. I might not have gotten that great idea if I didn’t go and talk to people so I highly suggest going out and meeting people. You never know what will happen.
Meet ADDYs judge Bill Starkey
Posted by Mary Fletcher Jones in ADDYs on January 29, 2011
Bill Starkey is the creative director at Red Tettemer + Partners in Philadelphia.
After graduating from the Visual Communications Group at the University of Delaware, he headed south to Baltimore for stay at TBC as an art director. A few years later, he trekked deeper into the land of pork Barbeque to Winston-Salem, North Carolina for stays at Long Haymes Carr, then later Mullen. For his last few years in the south, he was a group creative director working on Sealy and Wachovia, along with everything else under the sun.
In 2007, the pull of the north was too great, and he took the gig as “Sr Creative Guy” at STICK and MOVE in Philadelphia. He joined Red Tettemer + Partners in 2010, when STICK and MOVE and Red Tettemer joined forces.
During his time in advertising, he has been lucky enough to work on brands like Thomasville Furniture, Hanes, The Baltimore Orioles, The Salvation Army, The Baltimore Ravens, Leatherman Tools, Yakima, vitaminwater, and Schwinn. His work has been featured in The Addes, The Art Directors Club, Communication Arts, The Type Directors Club, D&AD and Cannes.
Bill lives in South Philly with his wife Heidi, the most understanding wife on the planet, and Thurston Howell the Shih Tzu.
Sadly, Bill is of no relation to Ringo Starr.
Get to know ADDY judge Drew Ungvarsky
Posted by Mary Fletcher Jones in ADDYs on January 22, 2011
Drew Ungvarsky is the owner and creative director of Grow Interactive, a company fast building its name as one of the top interactive agencies in the world. With a background in development and a passion for creative excellence, Drew leads his company with a unique perspective on the seamless execution of an idea—from concept to creation.
Under Drew’s leadership, Grow has created award-winning projects for top brands like Google, FedEx, Sprint, HP, Toyota, and JCPenney. His work has been recognized by many of the industry’s top award shows and publications, including the Cannes Lions, the One Show, the Webby’s, the FWA, Communication Arts, HOW, and Creativity.
What’s your favorite non-chocolate candy?
I’m one of the few people in this world who don’t like chocolate, so all of my favorite candy is non-chocolate.
What was your first job
I worked at a movie theater in high school, working my way up the glorious ladder from concessions to usher to ticket sales.
Which award that you’ve won is the most important to you?
The Cyber Lion is certainly a favorite. It also doubles as being worth its weight in scrap metal, though, if business goes down the tubes.
What’s your biggest vice?
This cartoon comes to mind: http://i.imgur.com/mgf1i.gif
Would you rather fight Chuck Norris or Hulk Hogan?
I would be readily beaten up by both of those men (and many others less formally trained).
Does your agency have a mascot? If it did, what would it be?
Our senior interactive developer, Ricky, would make a good mascot. He’s quirky, lovable, and furry.
What’s your favorite punctuation mark?
I’m currently overusing the em dash, seemingly finding all sorts of appropriate— and inappropriate—places to use it.
Why are you looking at me like that?
I was trying not to make a big deal out of it, but you’ve got this… thing… in your teeth.
Get to know ADDYs judge Kash Sree
Posted by Mary Fletcher Jones in ADDYs on January 21, 2011
Kash Sree, Executive Creative Director at Pereira Dell, has been fortunate enough to have worked all over the world (Four continents and one sub continent, so far). Born in Singapore, he moved to England when he was just seven months old. It was there that he picked up his East End accent, his penchant for Mr Kipling’s Bakewell tarts and his rather dry brand of sarcasm.
Of course, a Graphic Design education and some horrific skills as an art director were also attained there. After failing fabulously for several years, he did what every art director does. Blame his writers.
Except, he did it with a vengeance. He left Ogilvy, London and moved to Singapore where he began a long journey to becoming one the world’s most-awarded advertising writers himself.
From 1994 to 1996, Kash worked at Batey Ads, Singapore and helped it become Agency of the Year, in Asia. In 1996, he moved to DDB Sydney as Head of Copy. In 1997, DDB Sydney was Campaign Brief’s Australian Agency of the Year. Not satisfied with this regional success, Kash wanted to be challenged and tested at the highest level. He got this opportunity when in mid-1997, he was hired by Wieden and Kennedy, Portland. For five years, he helped create some of Nike’s most memorable recent work. Including the Tiger Wood’s ‘Hackeysack’ spot, which became a global viral hit, before the word viral had even been fully coined as a phrase. Later, he would be one of the four creatives that created the Nike ‘Play’ campaign, which included the ‘Tag’ spot. This timeless film swept the leading shows in the world. Winning numerous Best Of Show honors, including the 2002 Cannes Grand Prix. Not surprisingly, Wieden and Kennedy was the most awarded US agency at Cannes that year.
Kash, was ready for the next big challenge: Graduating from a Writer to Creative Director. He moved to Leo Burnett, Chicago and soon learned to deal with extremely cold weather while putting his inimitable stamp on the agency’s creative output by helping reposition Nintendo with the “Who Are you?” campaign.
In 2005, he joined BBH, New York as Group Creative Director. In the next 18 months he would successfully help globally reposition the ailing Vaseline brand, with the “Keeping Skin Amazing” campaign. While there he also contributed to other brands like Axe, All detergent and British Airways, and helped pitch and win the US Dyson and OMO global business. Following Hegarty’s own credo, good work brought in good results. BBH, New York was named as one of the fastest growing names to watch in the US Advertising industry. And Vaseline won the Global Effie in 2007.
In March 2007 Kash hopped across town to JWT New York, where Ty Montague needed creative leaders to help modernize and raise the creative profile of the world’s oldest agency. As Executive Creative Director, Kash became a magnet for recruiting good talent and he slowly but surely began turning around some very challenging accounts, like Scott Toilet Tissues, Sunsilk Haircare, Kleenex, Visine, Purell and DeBeers. He was responsible for helping DeBeers evolve beyond just traditional media to more integrated non-traditional ways of talking to its audience. This resulted in things like the Grand Central Station “Roses” installation, and the Madison Square Park “Mistletoe Installation” integrated with its “Unbreakable Kiss” films. A piece of advertising, that people stood in line to be a part of.
In 2009 Kash joined Pereira & O’Dell as ECD. In 2010 Pereira O’Dell was Ad Age’s “small agency of the year” and OMMA’s “creative agency of the year”.
Kash believes that most advertising is mental pollution. Unless a piece of work enriches people’s lives (even in the smallest way- with a smile, or a useful piece of information) why would they engage with your brand? Why would they want to strengthen their relationship with you? “When you get it right, people look forward to seeing your Ads, they steal your Ads, they take pictures of them and mail it onto friends, or they stand in li
What’s your favorite non-chocolate candy?
Skittles.
What was your first job?
Petrol pump attendant.
Which award that you’ve won is the most important to you?
Aren’t we supposed to pretend they’re not important?
Who’s your favorite Mad Men character?
I know, it’s too easy: Don Draper
Which can you do better—whistle or do a cartwheel?
Cartwheel, barely.
Do you have any superstitions or good luck charms?
I try not to catch on fire. It’s considered very unlucky where I’m from.
What’s your biggest vice?
Chocolate.
Name a guilty pleasure song you know all the words to.
I don’t think I know all the words to any song. I have a terrible memory. That, aside, I did know all the words to Enter the Dragon — which is not a song.
What’s the homepage on your computer?
Who’s your favorite explorer and why?








